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    DAILY LIFE IN ISTANBUL DURING OTTOMAN ERA AND ITS REFLECTIONS ON TURKISH ART OF PAINTING BEFORE THECONTEMPORARY PERIOD
    (Anadolu Univ, 2012) Karayel Gokkaya, Evren
    The art of miniature of which growth can be traced back in Turkish art of painting after the conquest of Istanbul, from 17th century on, starts to acquire daily life more often as its subject. 18th century Turkish art, in parallel with the social structure of the age, was in the dilemma of East vs. West. Major miniature master of the period Levni and Bukhari who came after him reflected the world view of this period, that on its own represents the whole age, spectacular life style of Istanbul and they lead the art of the period. Rise in the number of artists coming to Ottoman soil in 18th and 19th century is a remarkable point. Works of these artists qualify as documents carrying the daily life of Istanbul to present. And with Tanzimat (a series of reforms), Ottoman painting emerged as works of artists who were raised in military schools with Western education or civilian artists.
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    GROTESQUE WORLD OF THE MIDDLE AGES AND DEMONS OF MEHMED SIYAH KALEM
    (Anadolu Univ, 2013) Karayel Gokkaya, Evren
    Intersection of the grotesque approaches appearing in pictorial images from East to West in the Middle Age is the indicator of a common ground creating this imagery. Within the mysterious world of the East, demons (devils), one of the main themes of the paintings of Mehmed Siyah Kalem, who has been drawing attention of the researchers for many years with both the attractiveness inspired by this mystery and his authentic satiric world, have been part of the cultural interaction within this common base. While these global interaction elements have been substantially revealed based on certain repertoires, presence of numerous images entangled in each other with formal or intellectual ties will further lead many researchers to interesting findings.