Yazar "Baglama, Sercan Hamza" seçeneğine göre listele

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    Duality of language as a tool for integration versus mobility at work: utility of a polyphonic perspective
    (Edward Elgar Publishing Ltd, 2023) Erbil, Cihat; Ozbilgin, Mustafa F.; Baglama, Sercan Hamza
    [Anstract Not Available]
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    Migration, Metaphor and Myth in Media Representations: The Ideological Dichotomy of Them and Us
    (Sage Publications Inc, 2018) Arcimaviciene, Liudmila; Baglama, Sercan Hamza
    By focussing on the dichotomized metaphorical strategy and myth creation, this study aims to analyze how the U.S. and the European Union (EU) media respond to the entrenched metaphor of migration and refugee crisis. In this respect, the U.S. and the EU media sources covering the time period from 2015 to 2016 were collected and analyzed in the theoretical framework of conceptual metaphor theory and critical metaphor analysis. By applying the metaphor identification procedure, it has been determined that most of the media narratives contribute to further developing the central bias of migration by means of metaphorical delegitimization that is discursively construed through the binary opposition between them and us. The metaphorical representation has been grouped into two kinds of ideologically represented story lines: (a) the myth of dehumanization, realized through the metaphors of Objects and Commodities; and (b) the myth of moral authority, realized through the metaphors of Natural Phenomena, Crime, and Terrorism. The findings have shown that most of the media narratives both delegitimize and stigmatize the status of a migrant by deeper entrenching the outsider stereotype and, therefore, create the general feelings of instability and intolerance within the EU.
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    The Postmodern Representation of Reality in Peter Ackroyd's Chatterton
    (Istanbul Univ, Fac Letters, 2024) Baglama, Sercan Hamza
    [Anstract Not Available]
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    Zadie Smith's White Teeth: The Interpellation of the Colonial Subject in Multicultural Britain
    (Routledge Journals, Taylor & Francis Ltd, 2019) Baglama, Sercan Hamza
    White Teeth (2000) fictionalises the realities that immigrants experience and reveals how they find themselves caught in a chaotic, fragmented and alienated world and seek to actualise themselves through similar escape mechanisms. Through a close reading of the novel, this article, suggesting that a literary text subjectively mediates actual, imagined or reimagined histories in a given period and manifests specific historical contexts through an aesthetic individualisation of the socio-historical totality, attempts to theorise the concept of double alienation from a Marxist perspective and to justify its arguments in response to recent intellectual and political histories and theoretical interventions. In order to provide a different interpretation of the process of alienation and to discuss the twofold escape mechanisms of the colonial subject, this article will, in this context, mainly focus on Samad M. Iqbal and his two sons, Millat and Magid, and analyse how they internalise the socio-cultural and political orientations of white supremacy, run through a state of loss, atomisation, meaninglessness and powerlessness and struggle to escape from and nullify the negatives impacts of the process of double alienation in the colonial centre.